Part 1 ended with a challenge for worship leaders in the black church to consider how their music set can bring the most glory to God by assessing solo singing, choir singing and congregational singing.
Some of you may be wondering why I am taking the time to bring up this particular issue. Others of you may be wondering if this issue is of any true significance. Of course the music set of a corporate gathering has no effect on one’s salvation, but it does have an effect on our individual sanctification. I’d also argue that it affects the health and edification of the church. I stated previously that the church gathers for three basic reasons – exaltation, exultation and edification. For this to happen, every aspect of the service should seek to serve these three purposes, especially the music, not only lyrically, but also in delivery.
As I’ve talked to many people who currently attend or who have had the opportunity to attend a black (or predominantly black) church, one aspect that always is commented on was how powerful the praise and worship set was. I usually chuckle because I know exactly what they’re talking about, having grown up in the black church. I admit that hearing powerful singing and seeing the choir display particular rhythmic movements in unison is great to see, but that also is my biggest concern or critique of these types of music sets. Due to the immense display of talent, the music set often becomes a performance (singing and the accompaniment) that often times rouses the emotions of the congregation apart from biblical truth. Emotions are often elicited usually through excessively repititious choruses, riffs and runs, physical gestures and extended instrumental showmanship. As this goes on, the congregation becomes passive spectators, rather than active participators. In these instances, the focus is on man and not God. What was intended to be corporate praise (Eph. 5:19; Col. 3:16) has become a concert.
My estimation is that congregational singing is the healthiest form of music worship for a corporate gathering. If you’re unfamiliar with the term or the concept, congregational singing is the practice of the congregation joining in the music of a church, either in the form of hymns or in the form of the office of the liturgy. Congregational singing normally doesn’t require many people on the platform or stage. Also, the musical accompaniment is intentionally lowered so the collective human voice of the congregation can be heard singing. In doing this, congregational singing does quite the opposite of performance oriented singing as the focus is rightly on Christ and the church is edified, hearing itself singing praises to Christ. Now I am not saying there are no uses for solos or choirs. I think music sets can wisely employ them, but it must be done in such a way that doesn’t blur the focus of Christ, but rather sharpens it.
Some might object to all that I’ve said under the guise that I am not respecting deeply appreciated black forms of musical expression or an individual’s talent. My push-back would simply be to ask if the music set serves to bring glory to the music team or if it edifies the whole church and glorifies Christ. Think about it. Let us strive to build up one another for the glory of Christ in our singing.
Grace & Peace,